Luiz-Ottavio Faria, made his operatic debut in the title role of Tom, in Un Ballo in Maschera with the legendary tenor
Carlo Bergonzi, Fernando Teixeira, and Stefka Evstatieva at Theatro Municipal do Rio de Janeiro and the Theatro
Municipal de Sao Paulo, directed by Maestro Isaac Karabtchevsky. Since his auspicious debut, the distinguished basso's
career in concert and opera performances has take him around the globe, especially  in Europe, USA, Canada, Mexico,
and Brazil.

Following his studies at The Juilliard School of Music, he won several important national and international singing
competition and musical Foundation awards, such as the 23rd national Carmen Gomes Competition (1988), prize Bass
Guilherme Damiano, The Juilliard School Scholarship (1989), William Randolph Hearst Foundation, Die Meistersinger,
(Aims), Austria (1994), Opera Index, YWCA Vocal Competition and The Great Buffalo Opera Competition (1995), The New
Jersey State Opera Vocal Singing Competition, Lola Hayes Vocal Competition (1996).  He is also the recipient of the
(1997) The William Matthews Sullivan Foundation.

Mr. Faria recently made a triumphant debut and a critically acclaimed performance in the title role of Banquo in Macbeth
at the Teatro Alla Scala di Milano and Marcel in Meyerbeer's Les Huguenots, at the Carnegie Hall with the Opera
Orchestra of New York, where he first attracted the international attention and was admired equally for his real and
majestic bass voice and for his acting ability.

Mr. Faria's repertoire extends from Seneca in (L' Incoronazione di Poppea), to the high priest of the hebrews, Zaccaria
in Verdi's (Nabucco). His already vast operatic portrayals of more than 30 roles includes Ramfis and King, (Aida),
Sparafucile, (Rigoletto), Alvise, (La Gioconda) Tom, (Un Balle in Maschera), Banco, (Macbeth), Ferrando, (Il Trovatore),
Sarastro (The Magic Flute), and Colline in (La Boheme), among others.

Highlights of recent  and past seasons include:
(Zaccaria), in Nabucco with the Teatro Carlo Felice di Genova, under the baton of Mo. Daniel Oren, (Ferrando), in Il
Trovatore, with the Teatro Municipal do Rio de Janeiro, Mo. Silvio Viegas, returning to the Teatro Massimo di Palermo
for (Ramfis) in Aida, Mo. Srboljub Dinic and staged by Franco Ripa di Meana, (Timur) with the Teatro Arena di Verona,
directed by Mo. Giuliano Carella and staged by Franco Zeffireli, (Il Grande Inquisitor), in Don Carlo with the ABAO-OLBE
de Bilbao, under the baton of Maestro Riccardo Frizza and staged by Giancarlo del Monaco. He returned to the Liric
Opera of Kansas City, for the role of (Oroveso) in Norma with Maestro Ward Holmquist. He returns to Palm Beach Opera
at the Kravis Center for the Performing arts for (Oroveso) in Norma conducted by Maestro Bruno Aprea, Rigoletto, with
the Teatro Real de Madrid under the baton of Maestro Roberto Abbado, (Timur) in Turandot with the Festival de Opera La
Coruna with Maestro Miguel Gomez Martinez and staged by Alex Aguilera and Chen Kaige and (Fiesco) in Simon
Boccanegra, with the Teatro Massimo di Palermo, Italy under the baton of Maestro Philippe Auguin and staged by
Maestro Giorgio Gallione.

One of America’s leading basses, Luiz-Ottavio Faria has appeared with the world’s major operatic and symphonic
organizations. He has performed with such renowned companies as the Teatro Alla Scala di Milano, Opera Grand Rapids,
Kansas City Opera, Teatro Carlo Felice, New Orleans Opera, Palm Beach Opera, Seattle Opera, Opera Carolina, Theatro
Municipal de Sao Paulo, Teatro Amazonas, Knoxville Opera, Opera Orchestra of New York, Theatro Municipal do Rio de
Janeiro, New Jersey State Opera, Theater des Westens, Musikverein of  Vienna, The Caramoor Festival, Connecticut
Concert Opera, Opera de Quebec, Opera de Montreal, Delacorte Theater of New York City, Teatro Bellas Artes, Teatro
Massimo di Palermo. He has been heard in concert repertoire with such leading orchestras as the Orquestra Sinfonica
del Estado de Mexico, Orquestra Filarmonica de Gran Canaria, Spain, Orchestre Symphonique de Quebec and the
Orquesta Sinfonica Nacional de Costa Rica, among many others.

Mr. Faria has been acclaimed for his concert performances as well. He has sung the Verdi's Requiem, Albinoni's
Magnificat, Rossini's Stabat Mater and Mass in Eb Major, Bach's Magnicat Saint Matthews Passion, Edward Elgar's the
Kingdom, also Mozart's Requiem, and Beethoven's Ninth Symphony. He received his musical training at the Villa Lobos
School of Music, (Rio de Janeiro), The University of Rio de Janeiro, American Institute of Music Studies, Austria and The
Juilliard School of Music, New York.

Notable and distinguished conductors and stage directors with whom Luiz-Ottavio Faria has collaborated with include:
Franco Zeffirelli, Riccardo Frizza, Jose Maria Florencio, Giancarlo del Monaco, Giuliano Carella, Robert Lyall, Roberto
Abbado, Isaac Karabtchevsky, Mauricio Garcia Lozano, Alfredo Silipigni, Roberto Minckzuc, Saverio Marconi, Will
Cruchtfield, Marco Lacomelli, Enrique Batiz, Franco Ripa di Meana, Silvio Barbato, Bia Lessa, Yoav Talmi, Neil Veron,
Pier Francesco Maestrini, Mark Flint, Grahan Vick, Eve Queler, Lorenza Cantini, Ligia Amadio, Andrei Serban, Francis
Graffeo, Thaddeus Strassberger, Ira Levin, Roberto Oswald, Gregory Ortega, Alejandro Chacon, Roberto Duarte, Andrew
Morton, Bernard Labadie, James Meena, Naum Alves de Souza, Kyle Swann, Sergio Brito, Kevin Stites, Ira Siff, Francois
Clemmons, Gabriel Villela, Kamal Khan, Carroll Freeman, Luiz Fernando Malheiro, Mark Verzatt, Ward Holmquist, Franco
Gentilesca, Bruno Aprea, Jerome Shannon, Jung-Ho Pak, Jamil Maluf, Eugene Kohn, Chen Kaige, Kazushi Ono, Peter
Keuschig, Daniel Oren, Srboljub Dinic, Maurizio Benini, Silvio Viegas, Kazushi Ono, Allex Aguilera, Giorgio Gallione,
Henning Brockhaus among others…

Future highlights engagements for Luiz-Ottavio Faria for the 2019-2020 season include:
Turandot, (Timur) Opera de Toulon, direttore Jurjen Hempel e regia di Federico Grazzini, Ernani, (Silva), sotto la
direzione di maestro Luiz Fernando Malheiro, Rigoletto, (Sparafucile) al Theatro Municipal de Sao Paulo, Brasile, sotto
la direzione di Roberto Mincsuk e regia di Jorge Takla, (Sparafucile) al Teatro Solis de Montevideo, sotto la direzione di
Martin Jorge e regia di Jorge Takla, La Sonnambula, (Conte Rodolfo), Budapest Festival, direzione di maestro Riccardo
Frizza, Beethoven Missa Solemnis Opus 123, maestro Dima Slobodeniouk, Aufstieg und fall der stadt Mahagonny, Kurt
Weill (Dreieinigkeitsmoses) al Teatro Reggio di Parma, direttore Christopher Franklin and                                    
Maestro Henning Brockhaus.   
                                                                                  
LUIZ-OTTAVIO FARIA